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22 January
Shows

 The Show Video

22 January
Shows

SURREALIST COUTURE 

This afternoon, Maria Grazia Chiuri, Artistic Director of the House, presented her haute couture spring-summer 2018 collection in the gardens of the Musée Rodin in Paris. Discover the press dossier.

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Nhu Xuan Hua for Dior

“Only the inevitable theatricality of my life interests me.” — Leonor Fini

The history of haute couture is intimately linked with the history of modern art. The couturier is an artist unto himself and the word “atelier” designates equally the studio of an artist or that of a designer. But any artist’s true “studio” is his or her spirit. It’s in this dimension, located somewhere between dream and reality, or imagination and realization, that Maria Grazia Chiuri, the Artistic Director of the House’s women’s collections, pursues her research and explorations. Because haute couture is a dream of fashion. It’s a place where there are no limits to pushing boundaries and experimenting with technique, material and form. Immersing herself in the heart of the Surrealist movement made it possible to bring a fresh breath of imagination to the spring-summer 2018 haute couture collection, conjuring an otherworldliness and constant optical illusion.

Surrealism also applies to the evocative words and phrases that guided Maria Grazia Chiuri in creating a collection predominantly in black in white sprinkled with illusion and surprise.  

Never trust a first impression… In that spirit, generous pleats on a white evening dress are etched in black like the pages of a book, while caging, a recurring motif in Surrealist works, is transformed into a black mesh fabric that hugs the body and underscores transparency as silvery fishnet mingles with the density of velvet.

But above all, it’s the charisma of the artist Leonor Fini that defines this collection’s strict yet radical attitude. Leonor Fini, who left Italy for Paris in the Thirties, held her first exhibition in Christian Dior’s gallery and befriended the designer from that moment onward. Whenever she made one of her phantasmagorical appearances, she often wore Dior. Leonor Fini was the incarnation of the then-revolutionary idea that one must always remain independent and reinvent oneself as a representation of all possible realities. She used clothing to define herself and set her own stage, in public as in private: at once influential, severe and elegant, she struck poses inspired by portraits of men from the Renaissance, by the constant interaction of art and life, and the blend of the natural and artificial. These marvels of haute couture came into being in a dimension suspended between dream and reality.

The same applies to the daywear for which Christian Dior had such a knack, and notably to shapes reinterpreted using traditional men’s wear fabrics. Maria Grazia Chiuri draws on these as inspiration in a series of suits that recalibrates Dior’s curves to today’s tastes, paired with skirts of multiple contrasts.

Ever faithful to the Surrealist tradition of deconstructed forms, accessories make their presence felt in a whimsical way: a fishnet stocking veils a sandal, while gloves clutch an ankle. It’s this way of seeing and being seen, with a point of view that draws on the unconscious and today’s world, that Maria Grazia Chiuri uses as a foil for embroideries and other embellishments. On a dress illuminated by a mirage of peacock feathers, precious and delicate ornaments become eyes that behold and express mystery — as well as the spiritual power of today’s women.

22 January
Shows

Invitation

This afternoon, Maria Grazia Chiuri is set to unveil the Dior haute couture spring-summer 2018 collection in the magnificent setting of the gardens of Paris' Musée Rodin. Stay connected to discover the looks live and all the details from the show.

22 January
Shows

BEHIND THE SCENES

In the ateliers at 30 Avenue Montaigne, in which the petites mains are busy at work, a number of mysterious symbols are coming to light. Clues to ponder in the rundown to the haute couture spring-summer 2018 show.

21 January
Shows

1990s

Discover the scenography of the Dior Homme winter 2018-2019 show, presented yesterday afternoon in the salon d’honneur of the Grand Palais.

Défile Dior Homme W18/19
Défile Dior Homme W18/19
Défile Dior Homme W18/19
Défile Dior Homme W18/19
Défile Dior Homme W18/19
Défile Dior Homme W18/19

 

Forever Young: the state of mind of the collection was also that of the scenography.   

In contrast with the classic style of the soaring reception room, glass boxes containing bars of multicolored lights delineated the central space. These artistic installations act as reminiscences of the Dior man’s youth, a plunge back into the 1990s. The music also marked a journey through time: Forever Young by Alphaville was punctuated throughout the show by the songs Minimal by the Pet Shop BoysThe Rhythm of the Night and Sub-Culture by New Order, evoking the ideal nineties playlist. 

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