Autumn-Winter 2025-2026 Ready-to-Wear Show
For Maria Grazia Chiuri, fashion is a vector of transformation. For this Dior ready-to-wear autumn-winter 2025-2026 show, the Creative Director of Dior women's lines wanted to revisit the memories and gestures that belong to the Dior’s heritage by forging a pluralistic dialogue with the history of fashion. The purpose of this proposition is to demonstrate how clothing is a receptacle that affirms cultural, aesthetic, and social codes. Temporalities sediment the creations in a continuous interplay of inspirations welcoming the imprint of bodies and modern desires.
Each collection is a construction, a project steeped in fantasy. An awareness. An invitation to use fashion to be yourself. Garments therefore constitute a repertoire of possibilities.
Thus the white shirt – which for Maria Grazia Chiuri is the founding element of an outfit freed from gender stereotypes – converses with the forms conceived by Gianfranco Ferré, the architect and erstwhile Artistic Director of Dior, who turns into a reference for this collection.
The wardrobe, a symbol of metamorphosis, reveals frills in the shape of a removable collar, worn or not, according to the spirit aimed at; a fluctuating element – echoing the perception we have of ourselves –, an evolution of the Orlando ruff –inspired by the eponymous character of Virginia Woolf’s novel–, from a distant era that defies time and genres. Like the visual dramaturgy of Robert Wilson, who choreographed the movements of models in a theater, a world in mutation: the colors shift, from dark to light, punctuating the scene changes. A swing, a prehistoric bird, rocks, craters, and finally the emergence of an iceberg.
The different influences running through the Dior lines interact and draw a map, marked also by the return of the J'adore Dior t-shirt signed John Galliano. Another restored reference is the cut-out and appliqué embroidery, offset by technical jackets. Like dematerialized crinolines, black velvet ribbons, attached with baroque pearls, bring texture to skirts and dresses.
Synonymous of lightness, the transparency finishing the shirts contrasts with the matte black felt of the hyper-structured coats that follow the curves of the body. Shoulders are rounded to shape the silhouette, while masculine jackets are combined with bustiers. The tailcoat is back. Lace collars are added. Shiny/matte, black/white. Utilitarian pieces, such as raincoats, are part of the ensemble and illuminate a daily life that takes us back to the heart of our history.
The exploration of the stories traversing fashion and its digressions allows the celebration of a femininity that imagines possible futures by mixing evocations of a past that is ever closer to the contemporary wardrobe.
Looks
There was once…
A swing, a prehistoric bird, rocks, craters, and finally the emergence of an iceberg. For the Dior autumn-winter 2025-2026 ready-to-wear show, Maria Grazia Chiuri invited American artist and director Robert Wilson to dream up a world apart, a new dimension. A universe in motion, transposing the idea of mutation that imbues the collection by way of dazzling chiaroscuro, magnetic projections and captivating scenic effects. A living theater in which the models evolve in a choreography of five hypnotic acts.
History of Fashions
For this Dior autumn-winter 2025-2026 ready-to-wear show, Maria Grazia Chiuri explores fashion as a vector of affirmation, through the prism of its metamorphoses, evolutions and digressions. Breaking free from a purely historical interpretation, the silhouettes are firmly anchored in the present, emphasizing both the functional role of clothing and the part it plays in responding to modern desires
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© Sarah Piantadosi
Modern Adornments
The accessories of the Dior autumn-winter 2025-2026 ready-to-wear show are essential punctuations, bringing sophistication and grace to the allure. Exceptional work carried out on the collars and scarves makes them removable and modular, adding an architectural aura to each silhouette. The ruff – inspired by Orlando, the eponymous character of Virginia Woolf’s novel – is revisited in leather, fabric and embroidered variations, as well as a jewelry one. Borrowed from the male wardrobe, the shoes embody more than ever the interplay of transformation(s) inhabiting the collection, while the bags feature supple curves for an additional utilitarian dimension. The looks are finished here and there with elegant berets – designed by Stephen Jones – topped with a pearl and a veil; an exquisite mix-and-match of sportswear aesthetics and absolute refinement.








© Sarah Piantadosi
Backstage
© Sarah Piantadosi
Couture velvet and dazzling embroidery
© Melinda Triana © Clerici
The fruit of fascinating savoir-faire, a dialogue between past and present, tradition and innovation, the Jacquard velvets that run through the collection are distinguished by their fluidity and irresistibly romantic elegance.
Evoking the passage of time, the luminous constellation of embroideries that adorn the silhouettes dreamed up by Maria Grazia Chiuri are based on ancestral techniques, reinterpreted through an ultra-contemporary approach.
© Melinda Triana © Chanakya School






